This piece is Reblogged from the marevellous Alison Stuart.
Alison was gracious enough to have me as her guest
on Ms Stuart Requests The Pleasure of Your Company to reveal some fun facts about Driving in Neutral. It was a pleasure to confess all to Alison. I thank her for her kindness to me.
Formula One and Anxiety – the research world of Sandra Antonelli
Like my guest, SANDRA ANTONELLI, maths was never my friend and I distinguished myself by managing to fail it in Year 9. My husband, an Engineer (how did that happen?) is mystified how I get through life without the frequent application of a good dose of quadratic equations. Strangely I do…
Sandra and her wonderful husband are well known to those of us in the romance writing tribe in Australia and I am absolutely delighted she can be my guest today. I am in awe of the sacrifices she has had to make in the name of research! Physics related language?… Oh My!!!
On MATHS, F1 RACING and how to manage Anxiety…
I totally suck at maths. This means I didn’t do as much research for Driving in Neutral, my love story about claustrophobia, as I did for my previous book For Your Eyes Only, which has a lot physics-related language. Thankfully, Olivia, the heroine of Driving in Neutral, has a past related to Formula 1 Racing, while Emerson Maxwell has a tiny problem with being claustrophobic. This meant my maths-free research focused on Formula 1 Racing terms and events, as well as phobias and anxiety attacks.
Sadly, no coffee and cookies were involved in my research into F1 racing. I watched F1 as a child in Europe. I knew names like Emerson Fittipaldi (did you catch what I did there, kids?) Niki Lauda, James Hunt, and Mario Andretti. To refresh my memory and bring my work into this century, I watched races on TV with my race-mad friends, Lisa and Sean (yes, you, Lisa Barry).
I learned about the length of the race season (it begins in Australia, runs from March to November, and finishes in Abu Dhabi), and the lingo, which was pretty easy to pick up and use as a way levelheaded Olivia views her life.
The phobia and anxiety attack research was easy and even more fun. My husband is a psychologist and is probably analyzing you right now. He lapped (no race pun intended there) up my asking him to describe the physiological and psychological manifestations of an individual in the throes of a panic attack. Oh, I enjoyed writing about a big, strong man unraveling in front of stranger. I loved writing the scene where Emerson faces his greatest fear, and fails so miserably. But I also loved writing where Olivia finally loses it and ‘spins out of control.’
I wonder how my psychologist husband would analyse that.
Maxwell couldn’t breathe. Well, he could, but it felt as if the air was being squashed back out of his chest as soon as it went in.
“You’re going to take me down with you, aren’t you? When you pass out, and you’re going to if you keep hyperventilating, you’re going to fall on top of me.”
“You’d like that, wouldn’t you?” he wheezed, bending forward at the waist to snatch his breath back as if he’d just sprinted 800 meters. Shit, he was hyperventilating.
No, he was hyper-hyperventilating.
This was ludicrous. He was nearly forty-eight years old and terrified of being in a very small room simply because it had no window and…his mind suddenly zeroed in on that important point.
There was no window.
What if the emergency light died?
What if the storm outside made the Chicago River flood into the basement of the building like it did back in “92?
What if the rubber-coated elevator cables, the cables suspending them in mid-air above nothingness, snapped?
Any way he looked at it they were locked in this box…trapped in this vault…enclosed in this coffin…sealed in this tomb.
Instantly, his rapid, shallow breathing picked up speed and he began to twitch involuntarily. His shaking fingers started to curl in towards his wrists, and he sank to the floor heavily. His head slumped towards his bent knee. Camera flash splotches of bluish-white appeared to mar his sight, his peripheral vision compressing into tunneled lines of black. His body capitulated to the oncoming blackout with an incremental steadiness, his hands and feet fizzing into numbness, and he moaned.
DRIVING IN NEUTRAL
Levelheaded Olivia Regen walks away from her car-racing career and the wreckage of a bad marriage to take on new work that’s far removed from the twists of racetrack. Her new life is about control, calm, and the good friends that she adores. But her first day on the job involves getting up close and too personal with her claustrophobic boss — alone in a broken elevator. Her unconventional solution for restoring his equilibrium shocks them both and leaves Olivia shaken.
<>Determined to stick to her plan, Olivia drives headlong into work and planning her best friend’s wedding, leaving no room for kissing, elevators, or workplace relationships. But Emerson is not one to be out-maneuvered. Can he convince Olivia that her fear of falling in love again is just another kind of claustrophobia – one that is destined to leave them both lonely?
Buy: http://www.escapepublishing.com.au/product/9780857991812 (includes links to all buy sites)